Analysis of the poem "Prayer of Steel" by Carl Sanburg

orison of brace Carl Sandburg (1878-1967) gravel me on an anvil, O idol Beat me and dick me into a crowbar. Let me pry miserable old w entirelys. Let me lift and loosen old foundations Lay me on an anvil, Oh God. Beat me and hammer me into a steel spike. take aim me into the girders that hold a skyscraper together. Take red-hot rivets and restrain me into the key girders. Let me be the not bad(p) nail holding a skyscraper together through blue nights into white stars. A formalist read of the song Prayer of Steel is a short poem composed of 9 lines, the ninth being the longest. The cohesive devices in the poem provide be analyzed on ternary levels: lexical, grammatical, and phonological. The analysis go out be made introductory of the individualist stanzas, then of the general structure of the whole poem. Leechs archetype of cohesion will be referred to where necessary. General observations The title Prayers of Steel is an example of foregrounding: steel is a kind of metal, thus it is inanimate and cannot perform the action of apothegm prayers, an action performed plainly by a human being. Obviously, the poet has deviated from the by and large ascertained rulles of the language, and it is significant that these atomic number 18 prayers of steel, not of rubber.

The inference is that any(prenominal) the speaker wishes to reach out will require a great deal of military unit and determination. From the title, foregrounding then extends into the poem so that we have cohesion of foregrounding, in which the foregrounded features identified in isolation are related to one another, and to the poem as a whole, as ! can be observed below. Cohesion in the individual stanzas Stanza 1 Lexical cohesion: First we observe that among all the images use in the first stanza, there... If you want to get a full moon essay, order it on our website: BestEssayCheap.com

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