What are the important features at the beginning of the film Punitive Damage?

The inject Punitive Damage directed by Annie Goldson is a powerful narrative that tells the story of a courageous huffy man, a mothers quest for truth and justice and the tragedy of the argument in East Timor. The beginning of this documentary contains many sound features that help to introduce the ideas, storylines and atmosphere. Some of these features atomic number 18 the securetrack, visual techniques, tv camera angles and characters. Assisted by administrator producer Gaylene Preston, cinematographer Leon Narbey, and sound designer Mike Hopkins, Goldson has produced a complex and powerful film. The film opens with white captions on a black background with the enlarged and dramatic sound of type which instantly captures the earshots attention. The date, 12th November 1991, atomic number 18 the premiere words to appear so we write out right impinge on when this documentary is set. The captions also introduce Max Stahl and the abattoir he has filmed. The typewr iting sound effects fade out and screams, sirens and gunshots be heard which prep be us for the visuals we are about to see. We are then presented with powerful and shocking footage of the 1991 Dili massacre. It is within a comminuted window and the rest of the screen is black.

This is a strong demarcation with the jerky camera movements and the blackness also suggests death, danger and ring hiding and scared. Because the footage is jerky we know the camera was hand-held which adds genuineness and reminds the audience that what they are seeing is real. The screen then switches to a photograph of Kamal as there is a voiceover, ...fe ars for a raw(a) Zealander caught in a mass! acre.... Although we do not know who Kamal is yet, the voiceover colligate the massacre with the boy in the photograph and also lets the audience know that he is a New Zealander. If you want to frig around a full essay, order it on our website: BestEssayCheap.com

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